Skip to content
Kunstfenster

Game Review: Sleaford Mods' Jason Williamson Assumes Character in Critical Look at Ecstasy Generation Era

Helmed by Portishead co-founder the musician-producer, this sharp-edged if undernourished debut feature casts a critical gaze on 90s rave culture. Self-serving pillhead David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to burgle his own parents. Before you can say, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Grimly Amusing Duel

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his normal activities. The central theme – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Poacher turns up, enraged after David strangles his dog. Still, a grimly amusing standoff takes hold – David eager to get away; the Woodsman denying his container of cider, determined to soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Sensibility

There is only one important plot development, but it results in a comically executed rampage on the forest trails that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

The film is in UK and Irish cinemas from 17 November.

Written by

Glenn Morgan

An art historian and curator passionate about modern art movements and cultural narratives.

Kunstfenster

Type to search articles.